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From 22nd June to 6th October 2022, all Plug-In Collective members can pick up their copy of LO-FI GLOW and start their three-month free trial of KOMPLETE NOW. Or you can follow him on Twitter.For the latest instalment of Focusrite’s Plug-in Collective community giveaway Focusrite have teamed up with Native Instruments to offer a free copy of their plug-in synth LO-FI GLOW (normally $49), as well as a three-month trial of KOMPLETE NOW - their ever-changing bundle of instruments and effects (normally $9.99 per month). There’s more of Áine O’Dwyer’s work on her Soundcloud and Bandcamp pages.Īll words by Paul Margree. More work by Paul can be found in his authors archive. He writes about experimental music at We Need No Swords. Music for Church Cleaners Volumes I & II has been produced in a limited run of 500 vinyl copies or as digital downloads. You can lose yourself for a while, and, when it’s finished, everyday life seems just that bit more bearable. Music For Church Cleaners Volumes I & II is a great addition to the canon of experimental and improvised music, with a lightness of touch and depth of feeling that’s uncommon in many of records of its ilk. It all adds an air of unforced naturalism to the recording, which sits surprisingly well with the almost arcane music. At other times, we hear their children running and playing, and catch fragments of conversation. We hear the bangs and clatters as they pack and unpack their things, and the whine of their vacuum cleaners adds a pleasing high-pitched tone to several of the tracks. Like O’Dwyer, they are creator of this work and O’Dwyer pays tribute to them in her album’s title. There are hints to the more esoteric corners of the Christian Church in The Cloud of Unknowing as well as nods to the natural world (A Unkindness of Ravens) as well as earlier pagan belief systems (The Ruling of Pan).īut the real joy of this album is the presence of the church cleaners and their families themselves, caught on tape as they go about their daily work while O’Dwyer is playing. Titles, too, add to the sense of an individual musical universe being created. Pieces like Mass of the Rosary Ring extend the record’s hermetic allure, like a mist slowly spreading through a wood. The extra tracks provided by Volume II aren’t exactly a departure from the template established in the first volume. O’Dwyer revisits the piece in Volume II’s Return to Fugue, slightly less frantically than before, although encroaching drone that threatens to smother the piece in blistered dissonance adds a welcome air of drama. The see-sawing intro to Fugue State of Mind is a sharp contrast to the unruffled calm of Volume I’s opening three tracks, lurching like a sailor trying to find their sea legs in a raging storm as its melody careers up and down the keyboard at breakneck pace. This is perhaps how she prevents things ever drifting into complacency, with each piece having its individual qualities while still being part of a greater whole. These pieces aren’t, strictly speaking, totally improvised, as O’Dwyer took a graphical score into the church as a sort-of guide to her playing, (it’s provided as an illustration in the album’s gatefold sleeve). At the other end of the keyboard, meanwhile, she slowly circles around a gradually unwinding melody, evolving rather than repeating, the organs soft sustain leaving these notes hanging in the air like mist. On The Little Lord of Misrule, the bass barely strays from one or two long chords, laying down a gently undulating ostinato. The end result is playful, ominous, transcendent and, ultimately, life affirming. Music for Church Cleaners is as immersive as you’d expect, the deep drones of the organ’s bass notes on pieces like The Feast of Fools providing a hazy, almost liquid bed of sound across which O’Dwyer casts exquisitely hazy melodic phrases.ĭespite working with an instrument steeped in cultural and musical resonances, O’Dwyer – a harpist by trade – has created a work with her own unique stamp, drawing on the mysterious wonder of traditional church music as well as the cloudy hinterland of drones and atonality mapped out by the contemporary avant-garde. Originally issued on cassette by Irish tape label Fort Evil Fruit this marvellous work has now been reissued in a limited run with gorgeous new artwork and extended with more pieces recorded during the sessions.
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Áine O’Dwyer: Music for Church Cleaners Volumes I & II ( MIE)Ī welcome reissue for Áine O’Dwyer’s beautiful album of church organ improvisations, says Louder Than War’s Paul Margree.īack in 2011, Áine O’Dwyer was given access to the pipe organ in St Mark’s Church in Islington, North London, to create a series of beautiful, ruminative improvisations, which would become Music for Church Cleaners.